He used a scissor frame on two curved feet made in chromed steel, similar to the Chinese ideograms, and connected the two sides to a crossbar fixed by bolts efficiently hidden under leather straps.
In 1964 the structure in chromed steel was substituted by polished stainless steel. Although initially, this sitting was not meant to be industrially produced, this cult design object was introduced in the offices of many prestigious buildings he designed. Not by chance, today, we see this item, particularly in the office buildings. Since 1948 until today, this armchair is realized in series by the producer company Knoll.
Best wishes,
Nadiya
MetropolitanMe Blogger